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Your Emergency Contact Has Experienced an Emergency by Chen Chen is a poetry collection centering around queerness, love and family tension during and after Covid. The poems follow a speaker as he settles into his life with his partner, Jeff, while navigating teaching, his mother’s wariness and trepidation about his sexuality, all against the backdrop of the world falling apart. There are poems, such as, ‘One Year Later: A Letter’, which recognize the victims of the Pulse nightclub shooting, or of Covid being labeled the “Kung Flu” in ‘Winter [It’s April.]’. Though, my favorites of the collection were ‘Winter [Big smell]’, ‘Elegy While Listening to a Song I can’t Help But Start to Move to’, and ‘I Invite My Parents to a Dinner Party’. The poems at times are funny—one referencing poop—while other times longing for the speaker’s mother to be okay with his partner, all while the world felt completely unsettled. Really enjoyed the read (and the cover is really cute too).
Final Rating: 4/5
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When I Grow Up I Want to be a List of Further Possibilities by Chen Chen is a collection of poems centering around what it means to be Chinese American, gay, and grappling with parents that do not accept him. At times it is humorous, and other times his deeply serious about his desires.
In its penultimate poem, and, I think, the heart of the collection, ‘Poem in Noisy Mouthfuls’ works to dismantle and push back against the narrative that, “All you write about is/being gay or Chinese.” by refuting, “Wish I had thought to say to him, All you write about is/being white/or an asshole. Wish I had said, No, I already write about/everything—“. This discussion of writing exclusively about being Asian has cropped up before, and I feel that Chen Chen defies that in a powerful way. Other poems I was deeply moved by were ‘Race to the Tree’, ‘Talented Human Being’, ‘Second Thoughts on a Winter Afternoon’, ‘Didier Et Zizou’, and ‘Chapter VIII’. Chen Chen has a unique, at times abrasive, but always authentic, voice. The collection works initially to show the wound that is created by Chen Chen’s family and the Chinese society around him. Though, throughout the collection he grows to understand himself and his sexuality through the lines, “The parents wait for the child to become a western bird,/but the child/keeps leaking into a northern lake.” The collection works to challenge white heteronormative narritives, parental expectations, Chinese traditions, death, sexuality, and the power structures each contain. I absolutely admired this collection. Final Rating: 5/5 |
AuthorMaxwell Suzuki is a writer, poet, and photographer based in Los Angeles. Archives
May 2026
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