Maxwell Suzuki
  • Home
  • Books
  • Writing / Art
  • Reviews / Blog
  • Contact
  • Home
  • Books
  • Writing / Art
  • Reviews / Blog
  • Contact

Reviews / Blog

Review of Edinburgh by Alexander Chee

5/31/2021

0 Comments

 
Edinburgh by Alexander Chee takes a harrowing life experience as a child and uses it as fuel for an autobiographical novel. Those experiences documented damaging effects child sexual abuse can have on a victim. Told from the viewpoint of a child, Chee manages to weave the culture of his Korean descent into a sweeping narrative that contextualizes the abuse through metaphors and Korean fairy tales.

The story begins with a tale about the Fox-demon in Korean culture known to bring bad luck and creates the framing for the way the main character, Fee, interprets his eventual abuser. This use of the Fox-demon is one of the main metaphors drifting in and out of the narrative with imagery of foxes splintering the moments of greatest turmoil. Fee, being a member of a boys’ choir in a catholic church, also interprets life events through a layer of music in its movement and meaning. In the case of Fee, he uses singing as a way to cope with the choir director, Big Eric, who abuses him and the other members of the choir. The music itself is a point of contention where Fee both appreciates its beauty but dislikes its connotations of Big Eric. It is a double-edged sword that Fee battles with because it is difficult for him to give up the one thing holding him together.

Throughout the novel, Fee sees the way the abuse affected the rest of his choir with two of his best friends killing themselves. This aftermath forces Fee to truly interpret the way his abuser had always been the Fox-demon that he was warned about. Even still, Fee’s feelings are nuanced due to his realization that he is gay and that those feelings had been defiled by his abuser. Though once Fee ages, he finds himself becoming the person his abuser had been.

Edinburgh has strengths that go beyond its telling of the story and shines once the metaphors and form are fully taken into account. Edinburgh is written as if it were a poem in novel form in its use of fragment sentences and concise imagery. This attribution only strengthens how the book is supposed to be interpreted through the eyes of a child still learning to understand the world. The fragment sentences are invitations for the reader to finish the thought in a way that they are pulled deeper into the story itself. The problem is that those sentences are never usually finished with the desired punchline, but rather the needed one. In contextualizing the abuse with Korean culture, the reader takes a greater understanding of pain and trauma endured.

Edinburgh is a novel that acts as a canary in the coal mine for the abuse within the catholic church. While it wasn’t the first novel or allegation of sexual abuse within the catholic church, it acts as one of the first to take the endured abuse and provides a culturally framed lived experience. Many times, events of abuse are documented in a sterile way in which it is only written what happened rather than what was felt. This novel humanizes the victim and forces the reader to reckon with the fact that what happened was both experienced and felt. And in framing the experience through an Asian American lens, Chee works to create a context far beyond the abuse written about in his novel.

Final Rating: 4.5/5
0 Comments



Leave a Reply.

    Author

    Maxwell Suzuki is a writer, poet, and photographer based in Los Angeles.

    Archives

    June 2025
    May 2025
    April 2025
    March 2025
    February 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    May 2024
    April 2024
    March 2024
    February 2024
    January 2024
    December 2023
    November 2023
    October 2023
    September 2023
    August 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021

    Categories

    All
    1/5
    1.5/5
    2/5
    2.5/5
    3/5
    3.5/5
    4/5
    4.5/5
    5/5
    Ada Limón
    Ada Zhang
    Adrie Rose
    AI
    Aldous Huxley
    Alexander Chee
    Ali Araghi
    Andrés N. Ordorcia
    Anne Lamott
    Anne Sexton
    Anthony Veasna So
    Augusto Higa Oshiro
    Austin Kleon
    Benjamin Cavell
    Blog
    Bob Kan
    Book Reviews
    Brandon Taylor
    Brett Biebel
    Brit Bennett
    Bryan Washington
    Caleb Femi
    Carlos Fonseca
    Cathy Park Hong
    Charles Jensen
    Chen Chen
    Chris Santiago
    Christine Angot
    Clara Drummond
    Cleo Qian
    Colson Whitehead
    Comic
    Cormac McCarthy
    Dang Thuy Tram
    David Martinez
    David St. John
    Delia Owens
    Devon Capizzi
    Dianne Suess
    Douglas Stuart
    Édouard Louis
    Elie Wiesel
    Elizabeth Genovise
    Esteban Rodriguez
    Ethan Chua
    Faith Shearin
    Fiction
    Frank O'Hara
    Gabrielle Zevin
    Garth Greenwell
    George Saunders
    George Watsky
    Hanya Yanagihara
    Haruki Murakami
    Hiroko Oyamada
    Interview
    James Baldwin
    Jane Austen
    Jay Aquinas Thompson
    Jean Kwok
    Jen Michalski
    Jinwoo Chong
    John Green
    John Steinbeck
    Jonathan Escoffery
    Jose Hernandez Diaz
    Joy Kogawa
    Juhea Kim
    Julie Otsuka
    June Jordan
    Justin Torres
    Katsu Kokichi
    Kaveh Akbar
    Kenzaburō Ōe
    Kiese Laymon
    Kiley McLaughlin
    K-Ming Chang
    Kobo Abe
    Kurt Vonnegut
    Lafcadio Hearn
    L.A. Johnson
    Lan Samantha Chang
    Laura Van Den Berg
    Lawrence Matsuda
    Ling Ma
    Madeline Miller
    Magazine
    Maggie Nelson
    Marc Lamont Hill
    Masaki Fujihata
    Matt Broaddus
    Matthew Salesses
    Melissa Broder
    Michael B. Tager
    Michelle Zauner
    Mike Fu
    Morgan Talty
    Nardine Taleb
    Natalie Diaz
    Natsuo Kirino
    Nick Flynn
    Non Fiction
    Ocean Vuong
    Osamu Dazai
    Oscar Wilde
    Percival Everett
    Philip Smith
    Photography
    Poetry
    Prageeta Sharma
    Prince Shakur
    Rafael Zepeda
    Reading
    Richard Phillips
    Richie Hofmann
    R.O. Kwon
    Rooja Mohassessy
    Ryunosuke Akutagawa
    Sally Rooney
    Sarah Fawn Montgomery
    Sean Enfield
    Sequoia Nagamatsu
    Sherman Alexie
    Stephan Talty
    Stephen King
    Steven Pressfield
    Ted Chiang
    Thomas Grattan
    Toni Morrison
    Tony Tulathimutte
    Torrey Peters
    Tracy K. Smith
    Translation
    Truman Capote
    Vanessa Chan
    Venita Blackburn
    Victoria Chang
    Viet Thanh Nguyen
    Virginia Woolf
    William Faulkner
    William Maxwell
    Writing
    Yoko Ogawa
    Yoshiko Uchida
    Yukio Mishima

    RSS Feed

Proudly powered by Weebly