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Review of ​The Paris Review Issue 135

1/19/2026

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​The Paris Review Issue 135 is a collection of fiction, poetry, interviews, features, and art that is quite jam-packed with heavy-hitters. Though for the first half of the issue, nothing particularly stood out, except the interview with P.D. James—in a bad way. The interviewer, over the course of multiple questions, goads James into discussing feminism, eventually producing a very outdated understanding of the movement. James says, “I believe that political correctness can be a form of linguistic fascism, and it sends shivers down the spine of my generation who went to war against fascism.” James is referring to how in a college she visited, there were posters up informing students about help-lines for harassment and date-rape, which she disliked. Now, over thirty years later, the same line about people being too “PC” is spouted from the mouths of actual fascists—or in the very least neoliberals who deride the left rather than the right. Regardless, the question stands: how does political correctness instill fascism? Is it how, as a society, we’ve agreed upon a set of words to describe people and that other words are deemed inappropriate? In that case, no one was stopping P.D. James from saying what she wanted. Sure, the consequences of James’s words could bite her back, but that would be expected with anything one is to say. This interview was a low point in the issue because the rest I quite enjoyed. There was quite a bit of poetry by Carl Philips that I liked. The interview with Thom Gunn was fascinating when he talked about the classics and his process. There’s a diary of taking a semester with Allen Ginsberg, which was insightful into Ginsberg as a poet and as a person. It was alluded in his talks and in the excerpts of Ginsberg’s past lovers, and the fanboys who lingered at the edge of his class. Though, for me the breakout piece was a story by Rick DeMarinis called ‘Experience’ about a 14-year-old boy who has a Ham radio set-up in his bedroom that’s in the basement, a step-father that wears a green pinstripe suit to every meal, and a friend whose cousin showed him her privates.
 
Final Rating: 3.5/5
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    Maxwell Suzuki is a writer, poet, and photographer based in Los Angeles.

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