Maxwell Suzuki
  • Home
  • Books
  • Writing / Art
  • Reviews / Blog
  • Contact
  • Home
  • Books
  • Writing / Art
  • Reviews / Blog
  • Contact

Reviews / Blog

Review of The Sailor Who Fell from Grace with the Sea by Yukio Mishima

3/29/2024

0 Comments

 
The Sailor Who Fell from Grace with the Sea by Yukio Mishima is a novel about a thirteen-year-old boy, Noboru, who is in a gang while his mother is a widow. One day, his mother is invited onto a vessel to help out an actress where they meet Ryuji, a sailor. Ryuji is in port for a few days, and begins to take a liking to Noboru’s mother, Fusako. Over the course of those few days, they sleep together while Noboru watches through a peephole from his room. Due to the gang’s hatred for fathers and the adult world, Noboru is conflicted because he adores Ryuji’s profession and idolizes him, while also disliking the fact that he doesn’t fit the standards of the gang. On one of the days Ryuji is still there, Noboru and the gang capture a stray cat, kill it, skin it, and crush its organs in their hands. Upon returning from their killing, Ryuji sees them, but doesn’t suspect anything. Once Ryuji’s leave is over, he returns to his ship, the Rakuyo, and sails away. Ryuji returns in the winter, where he intends to stay on land due to his love for Fusako by proposing to her. However, Ryuji is still heartbroken about leaving his sailing life and likes to tell stories of his tales whenever he can. Everything comes to a head when one night Fusako and Ryuji are making love in the dark when they spy the light of the peep hole and find Noboru sleeping there. Once he’s found out, Noboru believes Ryuji will give him a beating (one Fusako even directed), but is likely even more shamed when it results in a comforting talk from Ryuji. Betrayed by his idol, Noboru goes to his gang with all the wrongs that Ryuji committed, and the gang concocts a plan to drug and kill Ryuji. The day of the wedding, Noboru lures Ryuji out to meet the gang by the docks, where they get on a train, hike through a tunnel, and arrive on a desolate hill overlooking the sea. Ryuji is somewhat suspicious, but enjoys the fact that they were interested in his sailor tales, so he begins discussing all of his adventures. While he is speaking, Ryuji begins to second guess his decision to stay on land. Then, Noboru offers him tea laced with sleeping pills, which he drinks, and the gang’s plans are set in motion.
 
In this novel, Mishima has concocted a deftly violent, intriguing, and impassioned piece of literature. There are moments that are rendered in absolutely terrifying detail (i.e. the cat scene), and his understanding of violence, love, and betrayal are striking. What interested me was the near irony of belief of some of the boys in the gang and the way they treated fathers. Fathers, in their eyes, were scum and because they were scum, nothing they could do would save them from their own being. While some of the boy’s hatred stemmed justifiably (i.e. parents beating them or absent), it was noted at least one of the boys had a loving father that prayed with them. From an outside perspective, this type of thinking is completely illogical, though when Ryuji began to step into the role of being a father, he was lumped in with the rest of them. I found it to be an interesting take on how the identity of someone can be what people hate even though they did nothing wrong. In this case, Fusako had an agency look into Ryuji’s past and found nothing but an upstanding sailor and man. Mishima thus constructs an ideal man: no debts, faithful, hard-working, doesn’t reprimand, strong, and outgoing. And yet, the ideal is still the death of him in the eyes of the gang. In some ways, the gang’s thought process is contradictory in that the boys couldn’t be alive if not for their fathers and yet the boys utterly despise them. Also, Mishima even goes out to say that the boys come from well-to-do backgrounds commenting on their large lunches, and yet Mishima demonstrates an evil inside of the boys.
 
The structure of the novel leads itself to being masterly crafted, with not only the seasons factoring into the tone of the novel (i.e. summer = passion, winter = violence), but in the way the novel expertly cuts off once the reader knows the inevitable. After having read only a handful of Mishima’s novels, I can certainly tell I will enjoy the rest.
 
Final Rating: 5/5
0 Comments



Leave a Reply.

    Author

    Maxwell Suzuki is a writer, poet, and photographer based in Los Angeles.

    Archives

    November 2025
    October 2025
    July 2025
    June 2025
    May 2025
    April 2025
    March 2025
    February 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    May 2024
    April 2024
    March 2024
    February 2024
    January 2024
    December 2023
    November 2023
    October 2023
    September 2023
    August 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021

    Categories

    All
    1/5
    1.5/5
    2/5
    2.5/5
    3/5
    3.5/5
    4/5
    4.5/5
    5/5
    Ada Limón
    Ada Zhang
    Adrie Rose
    AI
    Aldous Huxley
    Alejandro Varela
    Alexander Chee
    Ali Araghi
    Andrés N. Ordorcia
    Anne Lamott
    Anne Sexton
    Anthony Veasna So
    Augusto Higa Oshiro
    Austin Kleon
    Benjamin Cavell
    Blog
    Bob Kan
    Book Reviews
    Brandon Taylor
    Brett Biebel
    Brit Bennett
    Bryan Washington
    Caleb Femi
    Carlos Fonseca
    Cathy Park Hong
    Charles Jensen
    Chen Chen
    Chris Santiago
    Christine Angot
    Clara Drummond
    Cleo Qian
    Colson Whitehead
    Comic
    Cormac McCarthy
    Dang Thuy Tram
    David Martinez
    David St. John
    Delia Owens
    Devon Capizzi
    Dianne Suess
    Douglas Stuart
    Édouard Louis
    Elie Wiesel
    Elizabeth Genovise
    Esteban Rodriguez
    Ethan Chua
    Faith Shearin
    Fiction
    Frank O'Hara
    Gabrielle Zevin
    Garth Greenwell
    Genki Kawamura
    George Saunders
    George Watsky
    Hanya Yanagihara
    Haruki Murakami
    Hayden Casey
    Hiroko Oyamada
    Interview
    James Baldwin
    Jane Austen
    Jay Aquinas Thompson
    Jean Kwok
    Jen Michalski
    Jinwoo Chong
    John Green
    John Steinbeck
    Jonathan Escoffery
    Jose Hernandez Diaz
    Joy Kogawa
    Juhea Kim
    Julie Otsuka
    June Jordan
    Justin Torres
    Katsu Kokichi
    Kaveh Akbar
    Kenzaburō Ōe
    Kiese Laymon
    Kiley McLaughlin
    K-Ming Chang
    Kobo Abe
    Kurt Vonnegut
    Lafcadio Hearn
    L.A. Johnson
    Lan Samantha Chang
    Laura Van Den Berg
    Lawrence Matsuda
    Ling Ma
    Madeline Miller
    Magazine
    Maggie Nelson
    Marc Lamont Hill
    Masaki Fujihata
    Matt Broaddus
    Matthew Salesses
    Max Porter
    Melissa Broder
    Michael B. Tager
    Michelle Zauner
    Mike Fu
    Morgan Talty
    Nardine Taleb
    Natalie Diaz
    Natsuo Kirino
    Nick Flynn
    Non Fiction
    Ocean Vuong
    Osamu Dazai
    Oscar Wilde
    Percival Everett
    Philip Smith
    Photography
    Poetry
    Prageeta Sharma
    Prince Shakur
    Rafael Zepeda
    Reading
    Richard Phillips
    Richie Hofmann
    R.O. Kwon
    Rooja Mohassessy
    Ryunosuke Akutagawa
    Sally Rooney
    Sarah Fawn Montgomery
    Sean Enfield
    Sequoia Nagamatsu
    Sharon Olds
    Sherman Alexie
    Sloane Crosley
    Stephan Talty
    Stephen King
    Steve Kluger
    Steven Pressfield
    Ted Chiang
    Temperance Aghamohammadi
    Thomas Grattan
    Toni Morrison
    Tony Tulathimutte
    Torrey Peters
    Tracy K. Smith
    Translation
    Truman Capote
    Vanessa Chan
    Venita Blackburn
    Victoria Chang
    Viet Thanh Nguyen
    Virginia Woolf
    William Faulkner
    William Maxwell
    Writing
    Yoko Ogawa
    Yoshiko Uchida
    Yukio Mishima

    RSS Feed

Proudly powered by Weebly