How to Ruin Everything by George Watsky is a collection of essays chronicling the adventures, mishaps, and travels of a musician on the edge of success. There are moments in India, Canada, and San Francisco, which all highlight the precarious and sometimes grubby nature of Watsky’s situations. It was interesting to read how Watsky was able to get by before he made it big in music, and how he kept on persisting.
Though, the essays felt like they followed a more conventional way of storytelling, which felt somewhat hollow. Yes, it was interesting to read about the weird travels and stoner moments, but it didn’t feel like it went beyond those moments to synthesize or draw anything more. Maybe the essays didn’t need to be anything more than they were, and after all, it erred on the side of jokes and humor. Overall, it was interesting to see the trajectory and situations Watsky got into and how he was able to overcome them. Final Rating: 3/5
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Keep Going by Austin Kleon is a little book about how to stay creative with some tips and tricks that have worked for the author. It’s a fun little book, though most of its advice seems generally non-specific and not as useful after the initial glance. Though, its general message of keep going is at least worth noting. I also enjoyed some of the comics as well.
Final Rating: 2.5/5 On Writing by Stephen King is a book that’s part memoir and part a discussion on the craft of fiction. King goes about describing how he came to be a writer, what he thinks exists in good writing, and how became a better writer. I enjoyed his matter-of-fact tone and the way he approaches his craft. I specifically connected with the idea that the story is a fossil the writer excavates. And while I didn’t read this book before I wrote my piece in CRAFT, my author’s note rings eerily like his, “Stories are relics, part of an undiscovered pre-existing world.” I like this idea, and it’s reaffirming to know he treats his stories the same. I also enjoyed the glimpses into his life where I saw parallels to my own writing journey.
Though, as with any writing advice, I’d be hesitant to take everything he says as the ultimate truth. I agree story is the most important part of fiction and character’s actions/situations drive the narrative. I also agree one most read a lot and write a lot to become better. However, I’m a little more hesitant to take his advice on writing a thousand words every day or the specifics of his craft. To me, it seems much of his advice is prescriptive, and without it, one isn’t being a proper writer. His authoritative voice is convincing but doesn’t apply to everyone. I’m also not sure of his idea that competent writers can only become good writers, or you can’t become a great writer if you’re a good writer. To someone just starting the craft, this seems demoralizing and assumes people can’t fundamentally change. Overall, I’ll be taking a few nuggets of wisdom from King, but I’ll be leaving everything else. Overall Rating: 3.5/5 Halfway from Home by Sarah Fawn Montgomery is a collection of essays about daughterhood, familial troubles, the pandemic, home, and her father. All of which are framed and analyzed under a nature and climate conscious lens. Montgomery uses language which draws in and imbues memory into every fiber of the collection. There is an expert use of braided essays, in essays such as ‘Forest for the Trees’ and ‘Taking Stock’.
The first essay, ‘Excavation’, acts a strong primer in digging up memories and moments by Montgomery, in which as a child she digs up treasure after treasure hidden in her family’s back yard. Only later is she told that the treasures were placed there by her father and not natural finds. In this way, Montgomery sometimes questions her experiences as they don’t match up with her father’s. ‘Excavation’ is also sectioned off using dig sites as places to begin her memories. The essays discuss her tenuous and loving relationship she has with her father, which is the heart of the essays. She contemplates what it means to be home, to desire for it, and to know it won’t exist forever. Final Rating: 4.5/5 The Kenyon Review July/Aug 2022 is a collection of poetry, non-fiction, and short stories, with a folio focusing on mothers reflecting on the climate crisis. There is anger and grief in the issue, which bleeds through its non-fiction, particularly in ‘To Live Again’ by Aliyeh Ateaei translated by Salar Abdoh. The story is about a mother trying to teach her son about her home in Afghanistan and why they had to flee to Iran. I absolutely loved the way the language held so much weight and how she treats her son with tenderness. And one of its final lines aches with meaning as her son says, ‘”Next time I’ll try to be born as oil”’. I was also a fan of the short story ‘Still Life with Lobster’ by Timothy Reynolds with its sharp use of imagery. Overall, I enjoyed the pressing discussions of climate change, but couldn’t quite connect with the poetry.
Final Rating: 3.5/5 Granta: Conflict Issue 160 is a collection of essays, fiction, memoir, photography, and poetry focusing on the themes of war and conflict. It mainly resides and contemplates the war in Ukraine and how that affects the people and places there. The stories and essays are about fasting, divorce, mental illness, assault, and moments of turmoil. The harrowing accounts of Ukrainian citizens in ‘Letters from Ukraine’ by Lindsey Hilsum displays the humanity and terror that is currently occurring. I was also drawn in by the narrative Suzanne Scanlon brings in ‘The Moving Target of Being’ which is urgent and frank. It contemplates the struggles of having a mental illness and checking into a psychiatric hospital. The issue looks at the victims of what war and conflict can create, and how each person deals with it differently.
Final Rating: 3/5 The Kenyon Review Sept/Oct 2022 is a collection of poems, short stories, and essays, some of which by young writers. The poetry in this issue is strong and I enjoyed ‘Diptych on Getting from Point A to Point B’ by Myra Kamal, ‘Blue Peony’ by Peter LaBerge, ‘Pandemic Dog’ by Alison Powell, ‘Splinter’ by Marney Rathbun, and ‘This Is Just To Say’ by Laura Cresté. Though, I was particularly drawn to the short story ‘Porn Star’ by Sena Moon which focuses on a girl who sees her neighbor masturbate and tells the rest of her class. The dynamic between the two characters was interesting to watch unfold. Overall, its poetry stood out as something to return to.
Final Rating: 4/5 Musui’s Story by Katsu Kokichi is an autobiography of a samurai during the 1800’s, which follows a man in his adventures, poverty, and old age. It’s an interesting piece of Japanese history, which focuses on the lesser-known aspects of a samurai’s life. For Katsu Kokichi, his account of his life seems to be boastful, and at times exaggerated when he talks about his fights with other warriors, or how he escaped from his incurred debts. Though, what is interesting is that he is consumed with discussing his money problems while trying to explain his misdeeds. It was interesting to see how relationships, ceremonies, and the societal structure all affected each other at that time. It's an account of a seemingly lower rung samurai, and because of this, its language is sometimes brash, but straightforward.
Final Rating: 3.5/5 The Paris Review Issue 240 is a collection of poetry, prose, and interviews with many of the short stories focusing on queer life. I particularly enjoyed the story ‘Descent’ by Harriet Clark which is about a boy whose mother is in a prison on a mountain for being a getaway driver. I liked the way the son’s relationship between his mother and grandmother begins to fray. I also enjoyed the story ‘Ira & The Whale’ by Rachel B. Glaser, which is about a gay man who is slowly dying in the stomach of a whale. It uses the initial premise of the Noah and The Whale narrative but spins it in a modern and enjoyable way. And finally, I found the heartbreaking nonfiction piece ‘About Ed’ by Robert Glück to have immense depth. Though, the rest of the issue didn’t feel as strong as those three narratives.
Final Rating: 3.5/5 The Kenyon Review May/June 2022 is a collection of prose and poetry that looks at life after the pandemic and in relation to nature. This issue had some intricate stories, namely, ‘The Arm of the Lord’, by David Crouse, and ‘Burning’, by Uche Okonkwo. Some of the poetry that captured me was, ‘Escape & Energy’, by Brenda Hillman, and ‘Mercy Me’, by Corrie Williamson.
Though the story that I felt was the strongest was ‘Happy Is a Doing Word’, by Arinze Ifeakandu which follows two boys who are learning about themselves and their queerness in relation to the rest of their community. I loved the way the voice of the story bleeds through the pages, and how the anger, frustration, sadness, and joy play out as the boys are outed to their parents and friends. It is a captivating story that worked to give dimension to queer experience. Final Rating: 4/5 |
AuthorMaxwell Suzuki is a writer, poet, and photographer based in Los Angeles. Archives
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