The Sailor Who Fell from Grace with the Sea by Yukio Mishima is a novel about a thirteen-year-old boy, Noboru, who is in a gang while his mother is a widow. One day, his mother is invited onto a vessel to help out an actress where they meet Ryuji, a sailor. Ryuji is in port for a few days, and begins to take a liking to Noboru’s mother, Fusako. Over the course of those few days, they sleep together while Noboru watches through a peephole from his room. Due to the gang’s hatred for fathers and the adult world, Noboru is conflicted because he adores Ryuji’s profession and idolizes him, while also disliking the fact that he doesn’t fit the standards of the gang. On one of the days Ryuji is still there, Noboru and the gang capture a stray cat, kill it, skin it, and crush its organs in their hands. Upon returning from their killing, Ryuji sees them, but doesn’t suspect anything. Once Ryuji’s leave is over, he returns to his ship, the Rakuyo, and sails away. Ryuji returns in the winter, where he intends to stay on land due to his love for Fusako by proposing to her. However, Ryuji is still heartbroken about leaving his sailing life and likes to tell stories of his tales whenever he can. Everything comes to a head when one night Fusako and Ryuji are making love in the dark when they spy the light of the peep hole and find Noboru sleeping there. Once he’s found out, Noboru believes Ryuji will give him a beating (one Fusako even directed), but is likely even more shamed when it results in a comforting talk from Ryuji. Betrayed by his idol, Noboru goes to his gang with all the wrongs that Ryuji committed, and the gang concocts a plan to drug and kill Ryuji. The day of the wedding, Noboru lures Ryuji out to meet the gang by the docks, where they get on a train, hike through a tunnel, and arrive on a desolate hill overlooking the sea. Ryuji is somewhat suspicious, but enjoys the fact that they were interested in his sailor tales, so he begins discussing all of his adventures. While he is speaking, Ryuji begins to second guess his decision to stay on land. Then, Noboru offers him tea laced with sleeping pills, which he drinks, and the gang’s plans are set in motion.
 
In this novel, Mishima has concocted a deftly violent, intriguing, and impassioned piece of literature. There are moments that are rendered in absolutely terrifying detail (i.e. the cat scene), and his understanding of violence, love, and betrayal are striking. What interested me was the near irony of belief of some of the boys in the gang and the way they treated fathers. Fathers, in their eyes, were scum and because they were scum, nothing they could do would save them from their own being. While some of the boy’s hatred stemmed justifiably (i.e. parents beating them or absent), it was noted at least one of the boys had a loving father that prayed with them. From an outside perspective, this type of thinking is completely illogical, though when Ryuji began to step into the role of being a father, he was lumped in with the rest of them. I found it to be an interesting take on how the identity of someone can be what people hate even though they did nothing wrong. In this case, Fusako had an agency look into Ryuji’s past and found nothing but an upstanding sailor and man. Mishima thus constructs an ideal man: no debts, faithful, hard-working, doesn’t reprimand, strong, and outgoing. And yet, the ideal is still the death of him in the eyes of the gang. In some ways, the gang’s thought process is contradictory in that the boys couldn’t be alive if not for their fathers and yet the boys utterly despise them. Also, Mishima even goes out to say that the boys come from well-to-do backgrounds commenting on their large lunches, and yet Mishima demonstrates an evil inside of the boys.
 
The structure of the novel leads itself to being masterly crafted, with not only the seasons factoring into the tone of the novel (i.e. summer = passion, winter = violence), but in the way the novel expertly cuts off once the reader knows the inevitable. After having read only a handful of Mishima’s novels, I can certainly tell I will enjoy the rest.
 
Final Rating: 5/5

​Life for Sale by Yukio Mishima is a novel about a copywriter, Hanio, who tries to kill himself, but fails. He then decides to put his life up for sale in the newspaper, which kickstarts a collection of desperate people who want to use him. The first man wants him to sleep with his young wife, get caught, and killed. Another woman wants him to test a poison concocted from beetles for a Western buyer. A boy wants him to sleep with his mother, who turns out to be a vampire, while the mother intends to kill both her and Hanio in a fire. Two spies enlist his help in testing out poisonous carrots and deciphering letters. And finally, a woman asks for him to live with her and pay his rent, while she intends to kill him with her. Many of these instances are connected through the Asia Confidential Service (ACS), who believes him to be an undercover cop trying to unravel their international murders. In the end, the ACS captures him, but he outwits them with a stopwatch in a box which he says is a bomb. However, when Hanio goes to the police to report the ACS, he is brushed off as he is seen as crazy and homeless.
 
The novel shows Hanio wanting to die, but through the course of its narration, he seems to stumble out of harms way. He cannot kill himself, the women that ask for his services intend to commit suicide with him, but he always inexplicably slips away from danger. This is what drives the story forward: Hanio’s desire for death and Mishima denying his death. The novel, however, depicts women in an oddly misogynistic light with its descriptions of their bodies, their singular desires to have sex with Hanio, and their melodramatic suicides either in the face of a gun, a fire, or poison. All that being said, it’s a fast-paced and tense novel throughout, and I found Hanio’s situation to be both surreal and ironic.
 
Final Rating: 4.5/5

​After the Banquet by Yukio Mishima is a novel about Kazu, a business owner of a restaurant in Japan, trying to get her husband, Noguchi, a retired politician, back into politics. Kazu meets Noguchi when one of Noguchi’s close friends collapses in her restaurant. The two seem unlikely, since Kazu is described as a more outgoing and talkative type, while Noguchi is a quiet older man. Kazu falls in love with Noguchi partially because of his demeanor and partially because she wants to be in a respectable grave like his family’s when she dies. Kazu, throughout Noguchi’s campaign, is seen as the mastermind and the one to sway people’s votes. Though, once the opposing party distributes pamphlets describing Kazu’s scandalous and predatory actions, Noguchi’s campaign loses. Arguments, and divorce ensue, with the final part of the novel ending where each character started: Kazu tending to her restaurant and Noguchi living in obscurity.
 
I loved how the novel worked to show the dynamic between not only Kazu and Noguchi, but also Kazu and her campaign partner, and finally Kazu and her old friend. As the novel went on, Kazu not only got more and more desperate, but also her endearing façade quickly crumbled. From the news of her early illegal campaigning to her past lovers, Kazu was always in a stew of controversy. Overall, the politics and the character dynamics were entertaining to watch unfold.
 
Final Rating: 4/5

​Confessions of a Mask by Yukio Mishima is a novel about a boy questioning his sexuality and coming to terms with being different. Set in Japan before and during WWII, the novel exists within the anxiety of a mind before tragedy. The narrator highlights different moments of his life where he realizes he is different through his encounters with Omi, Sonoko, and a prostitute. Throughout, the narrator hints and describes his desires for men, the way he fantasizes them being tortured, but can’t come fully to terms with his sexuality.
 
I think what holds this narrative back is the way it resides too long with Sonoko. The actions and motivations of the narrator around Sonoko are sometimes murky. And while, I understand Mishima wrote the book at a time in Japan where being gay was taboo, it felt like the book skirted way too far away from the subject. It tiptoes around how the narrator feels for Omi and Sonoko, and because of that, there isn’t a decisiveness to what the novel wants to be. Is it about Sonoko and the built friendship, or is it about the narrator’s sexuality? Overall, however, it gave a snapshot of Japan’s sentiments on being gay. It had some well-crafted metaphor, and the moments with Omi always felt special.
 
Final Rating: 3.5/5